By SarahGlendon Lyons

ISBN-10: 1909662488

ISBN-13: 9781909662483

How did literary aestheticism emerge in Victorian Britain, with its competing types of non secular doubt and visions of secularisation? For Lyons, the aestheticism constructed and gradually revised through Algernon Charles Swinburne (1837-1909) and Walter Pater (1839-1894) illuminates the contradictory impulses of recent secularism: at the one hand, a wish to forged itself as a kind of neutrality or disinterestedness; at the different, a wish to verify 'this international' because the position of human flourishing or perhaps attraction. the traditional narrative of a 'crisis of religion' doesn't do justice to the fissured, doubtful caliber of Victorian visions of secularisation. accurately since it had the prestige of a complicated speculation instead of a self-evident truth, it provoked not just dread and melancholia, but in addition sorts of fable. inside of this context Lyons offers a essentially new account of the goals and nature of Victorian aestheticism, taking as a spotlight its deceptively easy declare that artwork is for art's sake first of all.

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Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation by SarahGlendon Lyons

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